…TVC Air and Live Studio Screening Grade 12 Years As Chibok Abduction
Mothers of Chibok, directed by Joel ‘Kachi’ Benson and executive produced by Joke Silva and Uzo Aduba, returns that story to community consciousness throughout a focus on enterprise, education, and sustained community rebuilding.
As section of a strategic and considerate strategy by the TVC Communications CEO, Victoria Abiola Ajayi, the film was proclaim nationwide on TVC channels on Friday, April 17th and Sunday, April 19, extending its arrive at beyond cinema audiences into homes across Nigeria.
The planting window, Benson explained, is time-sensitive; missing a cycle means losing an entire year of salary and school fees.
During the studio taping, this reality was brought into sharp focus. The film, in this sense, operates not just as documentation but as a live intervention proposal.
Whilst reflecting on the film’s trajectory and reception, veteran actor Joke Silva re-emphasised the role of storytelling as both mirror and catalyst. Throughout cinema and now proclaim, she noted that audiences are not solely witnessing the women’s lives but are being positioned to respond to them.
This care goes beyond filmmaking into scalable result for the Chibok viewers.”
Receiving the award on Benson’s behalf, a representative noted: “What makes this documentary attentive is the enduring-term commitment behind it. Kachi Benson didn’t just go to Chibok and tell the story—he built years of relationship using the mothers and identified a sustainable manner to rise and scale their present farming businesses.
At the heart of the film is a operating economic mechanism. In its 2025 pilot phase, nine women have been supported, alongside a sign to expand to 100 in 2026 using the farming season quick approaching. The mothers finance their children’s education throughout groundnut farming, a model now being supported throughout the Uwaosi Rhoda Reason. The effort at this stage is focused on strengthening farming capacity by path of inputs such as seeds, fertiliser, irrigation, and specialized support, enabling increased yield, household stability, and sustained connection to education for their children,” he stated.
Guests engaged directly together with the panel, asked questions, and were invited into the broader responsibility of sustaining the task beyond awareness.
He said, “Viewers participation formed a essential portion of the evening. The closing contact to activity was understandable: fund the women – not as passive subjects but as economic actors, throughout continued visibility, funding, offering acquire, and specialized assistance and strategic partnerships.”
By Prisca Sam-Duru
That proximity has expanded beyond filmmaking into tangible intervention. Benson spoke around the planned absence of narration in the film and the decision to let the women’s lives unfold excluding imposed interpretation, an strategy shaped by years of proximity and trust.
“Following the screening, the conversation moved from storytelling to organization.
Days earlier, on Tuesday, April 14, the film was furthermore screened live at TVC Communications Studios in Eko Atlantic, Lagos, to grade the correct day, 12 years ago that the 276 Chibok schoolgirls were abducted from Girls Government Supporting School, Chibok. The gathering was deliberately planned as both a screening and a civic dialogue. Moderated by Bolanle Olukanni, the evening brought together voices across film, policy, and media, including Aisha Augie and Yinka Obebe.
The Willy Brandt Documentary Film Award comes as a recognition that underscores the documentary’s storytelling as well as its authentic-world effect.
Venice Lion and Emmy Award–winning Nigerian filmmaker and visual storyteller, Joel Kachi Benson has made chronology again using his newest documentary, “Mothers of Chibok”, once winning the Willy Brandt Documentary Film Award at the Individual Rights Film Festival in Berlin on April 18, 2026.
April 14, 2026, marked 12 years as the abduction of the Chibok schoolgirls in Nigeria, a moment that once commanded world attention earlier than receding from daily headlines. In that time, the story has continued—quietly and persistently in the lives of the women who remained.
What has emerged roughly Mothers of Chibok is a layered ecosystem: a film that documents, a distribute that amplifies, and an initiative that builds. From cinema screens to television and web-based platforms, the story continues to rise its achieve, whereas remaining grounded in a individual proposal—that the mothers of Chibok are not defined by what happened to them, but by what they carry on to construct.
She added, “The film, the screenings, and the conversations surrounding it all matter toward the same conclusion: this is not a closed story, but an continuing one, and one that now invites participation.”
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Source: Why ‘Mothers of Chibok’ won Willy Brandt Documentary Award
